ID AND LOCATION
| Stanford #
| 359 |
| AG1980 #
| 359 |
| PM1960 #
| 359 |
| Slab #
| unknown |
| Adjoins
| none |
CONDITION
| Located
| false |
| Incised
| true |
| Surviving
| true |
| Subfragments
| 1 |
| Plaster Parts
| 0 |
| Back Surface
| smooth |
| Slab Edges
| 0 |
| Clamp Holes
| 0 |
| Tassello
| no |
TECHNICAL INFO
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| ANALYSIS
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| Description The fragment depicts two short, parallel and horizontal lines. At top, another dash lies perpendicular to the top line. One column is visible to the right of the perpendicular line.
Identification The strange architecture depicted in this fragment, a row of short parallel lines next to short, perpendicular dashes, is similar to that visible on the right side of the porticoed structure in fr. 376. Here, the short lines seem to form a series of dividing walls within a portico. The dashes in this fragment are spaced too far apart to have belonged to the same building but may have belonged with a similar porticoed structure.
Significance The fragment may belong to one of Rome's great porticoed monuments. |
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| HISTORY OF FRAGMENT |
| Like the majority of FUR fragments, this piece was discovered in 1562 in a garden behind the Church of Saints Cosmas and Damian. From here, it was transferred to the Palazzo Farnese and stored there. The fragment was later used as building material in the 17th c. construction of the Farnese familys Giardino Segreto (Secret Garden) near the Via Giulia, and was rediscovered in 1888 or 1898 when the walls of the garden were demolished. Since then, it has been stored with the other known FUR fragments in various places: the storerooms of the Commissione Archeologica (1888/1898-1903), the Antiquarium Comunale (1924-1939), the Capitoline Museums (1939-1955), the Palazzo Braschi (1955-1998), and since 1998 in the Museo della Civiltà Romana in EUR under the auspices of the Sovraintendenza ai Beni Culturali del Comune di Roma. (This fragments history corresponds to Iter E" as summarized in PM 1960, p. 56.) N.B. PM 1960 does not reveal the whereabouts of the fragment between 1903 and 1924.
Text by Tina Najbjerg |
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