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     ID AND LOCATION
    Stanford # 39b
    AG1980 # 39b
    PM1960 # 38 b
    Slab # III-11
    Adjoins 39ac 39de

     CONDITION
    Located true
    Incised true
    Surviving true
    Subfragments 1
    Plaster Parts 0
    Back Surface sawn off
    Slab Edges 1
    Clamp Holes 0
    Tassello no

     TECHNICAL INFO
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     BIBLIOGRAPHY

    Photograph (85 KB)
    Note about photographs

    PM 1960 Plates: 13 14 32 62
    AG 1980 Plates: 31 32
     
    IDENTIFICATION
    Porticus of Pompey (porticus Pompeianae)
    INSCRIPTION
    None

    3D Model Full model | Top surface
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    ANALYSIS
    Description The fragment was part of the edge of a slab. Its edges have been smoothed out and the back sawn off (PM 1960, p. 106). It depicts a large rectangle whose long sides are flanked by dotted squares. A perpendicular line at the bottom separates a section of this rectangle from the rest. Two curved lines extending from the left side of this smaller section of the rectangle probably represent an arch. In the top right corner of the fragment, a small section of a covered portico, parallel to the large rectangle, is visible.

    Identification: Porticus Pompeianae The architecture shown in this fragment is part of the porticus Pompeia (Prop. 2.32.11), or Pompeianae (Vitr. 5.9.1)(PM 1960, pp. 104-106, pl. 32; AG 1980, pl. 32; LTUR IV, p. 148). Part of the latter name may be visible in the now missing fr. 39de (see PM 1960, pl. 32). The porticus was one of the components of Pompey's immense theater complex in the Campus Martius, constructed as a whole and inaugurated in 55 BCE (LTUR IV, p. 148) or 52 BCE (Richardson 1992, p. 318). Other parts of the porticus Pompeianae are visible in frs. 37a, 37b (missing), 37d, 37e, 37l, 39ac, 39de (missing), and 39g (PM 1960, p. 103, pl. 32; AG 1980, pls. 28 and 32). In addition to the porticus, the complex comprised a theater and temples (see fr. 39f for information about the temples and about the theater itself). Vitruvius (5.9.1) explains that Pompey built a porticus behind the theater as a shelter for the spectators in the case of rain, as a place for them to relax and converse, and as a storage area for stage machinery (LTUR IV, p. 148; Richardson 1992, p. 318). Fountains, trees, and expensive art works created an atmosphere of luxury and relaxation. According to Propertius (2.32.11-13) the trees were trimmed to an equal height. Richardson (1992, p. 318) has suggested that the dotted squares surrounding the rectangular features represent such trees. This, however, would be inconsistent with the use of dotted squares elsewhere on the Plan, where they seem to denote columns on plinths (see Reynolds 1996, fig. 2.28). It is more likely that the large, rectangular feature shown in this fragment and in fr. 39ac represented pools of water with fountains, or were planted with trees, and surrounded by columns (LTUR IV, p. 148; Richardson 1992, pp. 318-319). The small rectangle at the end of the large pool or planted space is matched by a similar feature in fr. 39c; they frame what must be an arch, indicating that the features themselves represented the piers of the arch. The arch denoted the central axis of the porticus (PM 1960, p. 105).

    Significance Excavations have revealed that the width of the porticus Pompeianae, as demonstrated by this fragment and by fr. 39ac, is rendered correctly on the Plan; the length, however, does not correspond to reality (PM 1960, p. 105). This is, then, yet another instance in which the Marble Plan shows itself to be both highly accurate and inaccurate. This fragment is also crucial to the identification of the large rectangular fields within the porticus proper: Are they pools of water, garden plots, or built structures? Precursor for solving the problem is determining the symbolic meaning of dotted squares on the Marble Plan: Do they always denote columns on plinths, or can they in some instances represent something non-architectural like trees or plants?

    HISTORY OF FRAGMENT
    Together with the majority of the fragments, this piece was discovered in 1562 behind the Church of Saints Cosmas and Damian. From here, it was transferred to the Palazzo Farnese and stored there. Renaissance engravers reproduced the fragment in 16th-c. drawings that are now kept in the Vatican (Cod. Vat. Lat. 3439). In 1742, it was moved to the Capitoline Museums and exhibited with some of the other known fragments in wooden frames along the main staircase. In 1903, museum curators included the piece in a reconstruction of the FUR mounted on a wall behind the Palazzo dei Conservatori (1903-1924). It must have been during one of these reconstructions that the edges of the piece were smoothed out and the back was sawn off (PM 1960, p. 106). Since then, the fragment has been stored with the other known FUR fragments in various places: the storerooms of the Antiquarium Comunale (1924-1939), the Capitoline Museums again (1939-1955), the Palazzo Braschi (1955-1998), and since 1998 in the Museo della Civiltà Romana in EUR under the auspices of the Sovraintendenza ai Beni Culturali del Comune di Roma.

    Text by Tina Najbjerg

    KEYWORDS
    porticos, arch, pools, trees, columms, plinths

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